west coast tour part 2.
well, we went the whole tour without posting anything. this seems to be the norm. it was partly due to the lack of reliable internet connections around the country, but more than that due to being so busy and lazy. or busy and tired.
internet access around america kind of feels like, we imagine, phone service was say, during the depression. big cities, you were pretty well covered. out in nowheresville, it was sketchy.
flora and i whizzed back across america in the silver streak, which is full of all our gear. middle america is a bleak and foreboding landscape, but no more so than texas. or Arizona or new mexico. or parts of California. its very very beautiful. the rest of the band flew home a few days ago.
i’ll start with the last show first, because its freshest in my memory.
SEATTLE
Tractor in Seattle was definitely when all the wheels were turning the best for both the bands: winterpills and for the as yet unnamed kris delmhorst experience. (kris and the band of delmhorsts, the delmhorst whisperers. leading a delmhorst to water.)
full house and the room sounded great think i lost my favorite t-shirt at the show: if anyone finds a black “Janus Films” t-shirt in seattle, please send it back to me. this pic is the empty stage after the last show. sadness and pain, mixed with joy.
before the show we snacked on a cheese plate and some fine wines at a wine bar right next door. seattle was left largely un-explored, but we loved the small taste of it we got, which was all in the Ballard district. i was happy to see my old college pal Lori Goldston, who does her own project with the Black Cat Orchestra and plays often with Mirah. also sweetly spotted was Max’s sister Lucinda.
as Kris’s ‘keyboardist’, i have to say i felt like this was the first night of the whole tour where the parts were coming together, i wasn’t overplaying, and my ghastly mistakes were kept to a minimum.
the last evening was bittersweetly topped off by all of us drinking a bottle of lovely small-batch brandy that Kris gave to us as a gift. though great with child, Kris took a sip. her doctor said it was ok.
PORTLAND
a double-header in a tiny sold-out venue, Mississippi Studios. very intimate and both shows wet over well. of course for us it was 4 shows, so by the end of the night we absolutely exhausted. promoter Jess Beyer left us with a nice bottle of spanish wine. the green room, which doubled a recording studio, has an impressive collection of paint-by-numbers artwork. this one was my favorite.
hmm, maybe i lost my t-shirt at this venue. please call.
EUGENE
WOW Hall is a big place. we did not fill it at all. but the crowd was very attentive and the sound was great, and the monitor engineer was very sweet and gave Flora a sprig of lavender.
this was our first sampling of the famous northwest beer phenom. it was very strong. i played our set rather tipsy from one beer.
Kris noted during the set that we seemed to have entered a certain technical malfunction vortex once getting into oregon. things were just not quite working right. cables were lost, little boxes did not function, strings were un-tunable. we adjusted. also, kris finally made a special announcement (see photo). bold girl.
SAN FRANCISCO
Cafe du Nord. packed and boisterous, this place has a great old-fashioned salon-type feel. saw many old friends. time in SF was way too short.
part 3 to come. we head south, backwards in time.